WRITING
Vogue Scandinavia
In defence of contradiction with Anna Sofie Jespersen
Odalisque
Is it Nepotism or Working Amongst Friends? Sanna Fried and Anna Mikaela Ekstrand
Cultbytes
The Rift of Perception at VillageOneArt
Equilibrium in Motion: Kejoo Park’s Conceptual Oasis
Art Spiel
The Foundations: Lior Modan at Dinner Gallery
Artslooker
Kathie Halfin’s Woven World of Shared Humanity and Connectivity
IMPULSE Magazine
Review: While Being Plasmic Membranes
Symbiosis: A Conversation with Alicia Adamerovich and Christopher Daharsh
Robin F. Williams on Sustainability and Calling People In
“We live in a world with others”: An Interview With Edra Soto
Skin Deep: An Interview With Lesley Bodzy
Tim Noble’s ‘Happy Land’ Incites Raw Subjectivity
Anina Major: “I could speak to one of many, or be one of many”
New Uncanny’s Haunting Reveries
Seoyoung Kim’s Site Centers Empathy and Connectivity
Leah Ying Lin’s Ethereal Odyssey
Beyond the Loop: “Strata” Simulates the Infinite
“Cult of Domesticity” at LUmkA
Grit Daily News
Steffie Chau Transforms a Midtown Apartment Into a Gallery
Pas Une Marque: Sean Coutts Blends Philosophy and Art With Fashion
EDITING
24 FPS: Isabel Sandoval, Incandescent Auteur — Waltpaper
The Party’s in the Back — Waltpaper
NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter — Waltpaper
Pictures of Faces: A Conversation with Na Kim — Marcus Civin
A Mirrored Interview — Phil Zheng Cai
Shiwen Wang: “The river returns nothing of what it takes” — Qingyuan Deng
Ballet, Bushwick, and a Techno Party — Catherine Sawoski
Peter McGough: “Alphabet” — Alyssa Monte
Anagrams of Desire — Robin Waart
Something Like — Robin Waart
A Thousand Kisses Deep: Joyce Wieland at MMFA — A.E. Chapman
Object Lessons — Matilda Lin Berke
The Flowers That Connect Us — Lydia Nobles
Familiars Dance Among the Inverted — Lydia Nobles
Amazons. The Ancestral Future — Pola Pucheta
Why is Everyone A DJ? An Interview with Gum.mp3 — Pola Pucheta
“Harmony and Dissonance” Opens at the Guggenheim Museum — Emma Thibodeaux-Thompson
Tim Brawner’s Strange Twist — Lili Rebeka Toth
Who is the hunter, who is the prey? — Lili Rebeka Toth
The Twin Moons of Luna Luna Rise Over the Hudson — Mike Dressel
“Small Talk” Eludes Legibility and Invites Infinite Encounters — Emma Fiona Jones
Memories That Smell like Forgetting — Emma Fiona Jones
New York Is More Alive Than Ever, NOW! — Sophie Steinberg
Conjuring the Unexpected: Jeanette Andrews Reimagines Performance Art — Christina Elia
The Archive as a Starting Point — Montserrat Miranda Ayejes
Stripping Down to Our Hair at 601Artspace — Amanda SRGE Lindsay
Visual Lineages — Sterling Corum
BRIC’s 2024 JazzFest Marks a Decade of Discovery — Sterling Corum
Are You Alone Right Now? — Sterling Corum
Tina Girouard’s Enigmatic Symbols Await Interpretation — Theodora Bocanegra Lang
Building Worlds at the Brooklyn Museum — Theodora Bocanegra Lang
La MaMa Looks Inward and Beyond With Its 63rd Season — Zara Roy
Image, Object, and Compression with Asher Liftin — Parker Ewen
PRESS
Art Currently: IMPULSE Magazine Founder Xuezhu Jenny Wang on Artists Occupying Unconventional Spaces — Sandra Stephenson
Grit Daily News, 2025/02/26: Art on Do Not Disturb Mode — Molly MacGilbert
Cultbytes, 2025/01/04: Cultbytes Power List: Who to Keep an Eye on in 2025 — Anna Mikaela Ekstrand